Get the Look: Sabrina Carpenter’s “Manchild” Retro Flip

When Sabrina Carpenter hit the 2026 Grammy Awards stage with her high-energy, retro airline-themed rendition of “Manchild,” she needed glamorous high-performance hair that had firm hold while still retaining movement and bounce.

Carpenter's go-to hair pro, celebrity stylist Evanie Frausto, delivered with a cheeky throwback flip using products from Redken, for which Carpenter is a global brand ambassador. 

“This is a retro flip bob, but done in a way that feels super luxe, not costumey,” Frausto says. “It’s controlled. It’s glossy. It has bounce. The ends are the moment — that soft, curved flip under that gives it that vintage stage energy.

“The hair has to feel set, but still touchable.”

Sabrina Carpenter performs "Manchild" at the 2026 Grammy Awards with retro flip bob
Sabrina Carpenter performs "Manchild" at the 2026 Grammy Awards with retro flip bob

 

Here is Frausto’s step-by-step breakdown for Carpenter’s “Manchild” flip:

  1. The prep is everything. We do not want this to be fluffy hair — I need it to have hold and polish. On damp hair, use Root Lifter Volumizing Spray at the roots, then apply Big Blowout through mid-lengths and ends. This combo gives lift at the scalp and that glossy, controlled curl through the lengths.
  2. Blow-dry like a set, not a blowout. This is where the look is made. Using a medium round brush, every section gets dried with tension. At the ends, I forced the curl under with the brush and heat, teaching the hair the shape now so I don’t have to fight it later. The crown gets lifted, but not teased, with root support.
  3. Lock in the flip with heat, very lightly. After the blow-dry, I go in with a 1” iron only on the ends. I don’t curl or don’t wave, but just kiss the ends under so the flip looks intentional and expensive, not pageanty.
  4. This is where the texture spray changes everything. Before detailing, I mist Dry Texture Spray very lightly. This breaks the hair up so it doesn’t look like a helmet. It gives that airy separation between pieces while keeping the set, feeling more modern instead of retro wig.

  1. Detail the fringe and sides. The front has that soft curl that frames her face and works with the hat. I use my hands and the brush to exaggerate that bend slightly, keeping it smooth and controlled. No frizz, no flyaways, just sculpted softness.
  2. Finish for stage, not salon. To hold the shape under lights and movement, apply Control Hairspray from a distance. Then I tap the ends with my fingers so they separate into pieces instead of one solid flip.
  3. The key to this look? If it’s too soft, it looks like a blowout. If it’s too stiff, it looks like a wig. You want that perfect middle where the ends curl under, the crown has lift, and the hair looks glossy, controlled, and touchable.